The launch is scheduled, the product has been shot, but the material is still raw on a card. Every week of delay costs momentum that does not come back.
Free ConsultationIt is almost never a matter of effort. These are the patterns we keep running into.
From one set of material we cut a site version, a vertical social version, and a short ad version, each edited for where it will play.
Most people watch the first seconds without sound. The opening and on screen text are built so the message lands even muted.
Raw material is named and grouped at handover, so the next production can use it without reshooting.
Outputs arrive in the sizes and formats each channel wants, including captioned versions where needed.
From one set of material we cut a site version, a vertical social version, and a short ad version, each edited for where it will play.
Most people watch the first seconds without sound. The opening and on screen text are built so the message lands even muted.
Raw material is named and grouped at handover, so the next production can use it without reshooting.
Outputs arrive in the sizes and formats each channel wants, including captioned versions where needed.
A picture of the screen you would work in, not an illustration.
What this screen shows
Case study
Situation
Shooting finished three weeks before launch, but editing never started because nobody owned it. The launch date slipped twice.
What we built
The existing material was cut into a set of outputs for the product page, social, and ads, each with an opening that works muted, then the raw footage was organised and handed back.
Result
Pick the one closest to your situation. We tighten the scope in the first conversation.
Footage you already have becomes a set of ready to publish videos for every channel.
Who it is for
Brands sitting on product footage that has never been edited.
What you get
Many products each get their own short video in one consistent style.
Who it is for
Shops or distributors with many products needing per item video.
What you get
Often it is, especially for social. What matters more is usually lighting and stability rather than the camera. We look at the material first and tell you what needs reshooting before work starts.
If the product can travel or the location is reachable, shooting can be part of the scope. What needs discussing up front is product count and location, because those drive the schedule most.
No, and this matters. Music has to be licensed for commercial use, because social channels and ad platforms can take down or restrict infringing material. We use licensed tracks and hand over the proof.
Once the material is complete and the editing direction is agreed, the process is fairly predictable. What usually slows it down is material that turns out to be missing midway, which is why we check completeness first.
No long form. Send one message describing where you are now and we reply with a sensible next step, not a mass quote.
Free Consultation
